this teasing 4 track ep is a vinyl extract, taken from the second drumpoet label compilation v.a. drumpoems verse 2 - and combines the previously unreleased and exclusiv tracks of azuni, cavalier, demetrio giannice and the lost men on vinyl. deep house heaven!!

city wasteland comes as a full cd as well as a split in two 12inches including some tracks that are vinyl-exclusives. sebastian lohse a.k.a. break sl from dresden is still quite young, but you can feel that he already defined his own universe of sounds and proper production skills. the second 12inch (city wasteland pt.2) now starts with the track move! which doesnt carry it s name for nothing - this is true-school techno! next, dirtbomb shows some nice edges and has a kinda dark feeling. hovering samples and a raw, dirty feel on the drums gives the whole track a very subtle blues. on the flip break sl enters deepest territory of detroit-influenced techno with weird dancer. the last track here tff is a vinyl-exclusive which delivers intense and acid-like drum layers ... chicago galore! thanks for purchasing a real copy!

hamburg bad boy electro ferris, member of heavyweight german band deichkind, returns with his second single on freakz me out and it is a big hitter, as it were. co-produced and engineered by tobitob of moonbootica. we have a hand picked assortment of the finest remixers & big freakz me out label friends around doing their magic on this one.deichkind are among the biggest acts in germany, playing sold out concerts and destroying festival main stages on a regular basis. anyone who has ever dodged flying elbows at a deichkind show knows what s up with their remix, dangerous.fukkk offf, also from hamburg has been killing it lately with massive singles such as rave is king or the bottom, an album on new yorks coco machete and remixes for jan delay, zombie nation, decalicious, acidkids and lars moston among others. in trademark style fukkk offf gives us hands in the air electro for fight clubs of larger dimensions.cryptonites go french on us roulé style with their big chords and big smiles version, keeping the vocal sparse and transforming it into chopped up dancefloor dynamite.stuttgarts autodidakt has taught himself a thing or two about turning out killer peak-time electro remixes, like this one, sporting massive detuned synths, driving sequences and the deepest of kicks.the remix package is completed by freakz me out veteran & big label friend markus lange who build a huge floor bomb with his remix. yeah!

redux hit their 9th release with the second offering from the very talented musician/ songwriter known simply as fernando. first appearing on the label with his solid cover of kick in the eye by legendary goth rockers bauhaus. fernando gained instant support from many djs and tastemakers, showing the world that he got the full package when it comes to being a talented recording artist .now hes back again to unleash the first of his original solo material from his forthcoming debut album, guaranteed to be a firm favourite with disco stallions , pump rockers and bearded ladies. scarecrows kicks the e.p off , setting the tone immediately with a rock steady bass groove , crisp synth stabs and catchy vocal snippets (from another famous goth influence) sprinkled on top that will stick in your head for days .bladerunner ups the energy a notch with some lively drums and a beefy bassline sure to shake any waistline (one size fits all). weird trippy textures and surging synth sounds keep it moving and occupy your brain whilst the groove kidnaps your feet and hips on the dancefloor.on remix duty is croatia s leading light and all round nice guy ilija rudiman. taking a slightly different approach for scarecrows, giving the track a deeper, moody feeling but still keeping the essence of the original. subtle pads and acid lines weave in and out as the groove pushes on and draws you closer in, dropping in to the break down and sending you off singing doop doop doop do do. this 12inch clearly showcases some of the freshest talent thats coming through the ranks and will instantly appeal to fans of reverso 68, tensnake and emperor machine to name a few strong examples. if youre feeling this then be sure to keep an eye/ear out for fernandos debut album coming soon on reduxà. this is just a taster

following up the intrusion & paul st. hilaire project comes a new release from the intrusion imprint which offers a killa selection of steppas riddims and tropical grooves. intrusions >velocity in a minor< is all about being playful with a sequence, splicing a riddim, stimulating the mind while shuffling your feet. this concludes with the mysterious lo-fi soundsystem up next who make their first 12 inch appearance on intrusion (previously recording under a variety of names strictly on 45) their powerful >de lions den< has been given a second lease on life from its scarce 45 release, (which was only available at a few small record shops in jamaica) this island groove is filled with the dankiest skanks, a melodica on acid and a bassline deeper than the ocean. this mystical midnight groove is given a rework in a 4/4 rhythm and effects from deep space, behind the controls is intrusion front man stephen hitchell who leaves us with a tasty embellishment in fat riddims and icey cold electronics. the b side opens with mildious >de natura rerum< which crosses into territory comparable to intrusions >tswana dub< or the atmospheric dub side of rhythm & sound, a powerful mind melter which does all the rights things in all the right time. the closing >oceanview< paints a picture of just that, leaving you to wander off into the ocean breeze while sinking into its smoky green vapour haze.

new kid on the block jacob korn (dresden, germany yall!) convinced sometime somewhere in toronto with a hearty live set that took a route over hip hop, down tempo house and all kinds of funkiness until it peaked with the disco-house-craze >i like the sun (but not on leds)<. much to the delight of a present running back a&r. hands were shook and it took only 2 and a half years until the test pressing arrived. supplemented with the slow burning >selene< that really gets you the second time around, prevents the typical mistakes current deep house likes to make (at least, we think so) and is the sun gods sister, the a-side is good to go. flip the script to see prins thomas in a good temper, rolling out the red carpet with one of his tried and tested remixes. >i like the sun< piles up to 13 minutes of true diskomiks glory including drums that go on forever (bonus beats, yall!) and some eye-cue-markers for those of you who are deaf already. well, swell

so the story goes: a few years ago i played a cool underground party in stockholm with my good friend and crazy record collector mark seven. early on that night mark played me this beautiful and melancholic piece of music. mark happily handed me his spare copy and my record collection for a second felt a little more complete… originally released as a b side track to als slipshod ep on out of the loop the track continued to mesmerize whenever i played it and the fact that so many people loved it and equally as many didnt know the record i though a re release could be a great idea. its inclusion on gerd jansons recent sonar kollektiv compilation and the fact that its been played by legendary dj harvey ( o bearded one as hes known to by the initiated) has obviously helped to spread its fame to. the previously issued part 1 with the original and bogdan irkük remixes has gone down a storm with all the cool movers and shakers... oh yeah baby. now its time for the last chapter with equally mindboggling gatto fritto remix, mark sevens version and my own just plain silly rework. toodle oooo, thomas(oslo, 7th of august 2009)

already supported by sebo k, jimpster, argy, justin drake, soultourist, 2000andone, frank roger, brendon moeller among others, here is blind stitchs second release - kreon pres. 720p! green witch, jabba jeez and a huge brothers vibe remix! njoy!

long awaited second part of collaboration between dominik eulberg & gabriel ananda !!

fantastic second relese on christian peaks disturbulence label, featuring a superb track by himself plus belting tracks from miche & mirzihno, strong newcomer hristian stojanowski and the mighty spiros kaloumenos!

the first release on clapper is by swiss dog dachshund. a side: patte d oie is the name of a neighborhood in dakar, senegal, where dachshund was hanging out back in the days. this track is infused with the sounds of cora, a west african guitar, and wrapped in a heavy drum-kick that fluctuates from highs to lows, creating a hypnotic bass line. b side: bread. the second track is a smoother work that keeps us going with a steady rhythm, airy yet solid like a cloud that cannot evaporate

arrestar, hailing from brussels, is the second belgian artist releasing on token. he sent me this killer idm/techno track some time ago and it was immediately a favourite of mine. i fell in love with it the moment i heard it. in the end, it just needed a release. im not the only supporter of this track: inigo kennedy, oscar mulero & grovskopa love it too, so they decided to contribute with each another interpretation of the track, which in the end results in a diverse package.

great support by holgi star, ascii disco ... after the great kondens 001 release here the next techno ep from igor and sasha .. well done ... the second varianz is from the two russian guys sasha wins & igor shep. these guys show us with their pumping basslines and freaky melodies their techno perspective. it s going deep into the mind.

smallville records are set to release their first cd compilation featuring tracks by stl, steinhoff & hammouda with dionne, christopher rau, lowtec and many more to be cut on a limited 12inches series. with the second ep, the label from rainy city hamburg shows their preference for fresh excursions into deephouse and beyond. the dream team of contemporary soundscaping, move d and benjamin brunn, come up with a slightly moving earwig, tracky and reduced to give the dancefloor a colorful kick. smallville co-owner lawrence makes himself a classic with the bassy and chordish tune >dont forget<. he sets a tribute to deephouse music still holding his dreamy detroitish lawrence twist

zuckerwatte is the second single from oliver koletzkis new album >großstadtmärchen<. and zuckerwatte, which translates as candyfloss is a truly magical tale about love and loss in the big city. the original features juli holzs softly whispering voice that is so very fragile, and so very beautiful. this is a softly grooving electro-pop discovery. but of course this song has also been transformed for the dancefloor on this single that also features two more tracks from olivers album. first up is the remix by david august, one half of the duo august & bachert who delivers a top-notch glitchy tech-house edit that makes great dramaturgical use of the original track. next up is björn störigs vision of zuckerwatte. the drummer of olivers live outfit the koletzkis envisions juli holz perform her sweet and sticky singing over some neo-soul tech-rnb influenced electronica that features a spanish guitar, some great claps and some very nice synthesizers. on the flip there is koletzkis instrumental house-homage kusskompatibel and these habits, on which only seventeen-year-old singer pyur makes her debut. she sings wonderfully harmonic over this down-beat trip-hop groove and it results in a great hit for the late summer. this single is more than a single. its the best thing before the album

>we are electric< is the second single to be taken from the recently released >entertainment< album by fischerspooner. a soaring slice of scintillating electro with super fried guitars and anthemic lyrics that put me in mind of blade runner. possibly the standout track on an album full of super strong tunes, >we are electric< comes with 3 amazing remixes which couldnt be more different from each other. the lush radio friendly nu disco mix by kitsune favourites classixx reaveals the pop heart of the song and makes us think of the pet shop boys. next up is an absolutely storming mix by cursor miner, this is so hot its likely to burn the hair off your head if heard at full volume. its extreme treated vocals recall moments from the first fs album but the beats are pure miner madness. lastly but by no means least we have hot chip at their most club friendly, comparatively subtle compared to the previous mix, its deceptive simplicity reveals an insidious dancefloor killer when played in the right context. so there we have it then a knockout single from fischerspooner on the back of a great album that has received some fine press, a selection of which is printed below.

following the success of their storming funkatech debut >wickedest combination ft. ic3/the system<
west london threesome pyramid are back with the first single in a four part series entitled >elements< consisting of earth, air, fire & water but inspired by their four prefered staples: sex, drugs, rock & roll! in true pyramid style expect nothing less than dancefloor destroyers with uncompromising attitude that deliver the breaks fundamentals: big bass & real breakbeats wrapped up with a fresh twist for 2009.
proclaiming the arrival of this new series in full effect is the preacher this summers first festival anthem. take heed all ye doubting thomases this will bring you to your knees. the ominous intro gives way to heavy rock guitars and a foreboding preachers sermon whipping the crowd into a frenzy before suddenly being struck down by waves of bass and earth quaking beats so big they will bring the lame back to their feet. this is a big room track guaranteed to smash up the dance. big warm and heavy it will rock the most sinful of ravers into repentance. watch those hands reach for the sky ... hhhhallelujah!
not letting up the energy for a second and next up on the flip is >broken dreams< featuring the vocal and production talents of yoof (sons of mecha). no massive build ups here just a great vocal hook, raw beats and bass. no sir this is a ram raid. break steppin broken beats, rapid distorted basslines, thrash guitars & crashing cymbals... have it! underground and uncompromising pyramid bring the skank for 2009.

rufige kru (aka goldie and heist) return from their excursion in wonderland with their second album, memoirs of an afterlife, an album of cutting edge d&b that illustrates the genres origins as well as highlights of the genres new direction, clearing the way for the future sound of d&b. memoirs of an afterlife is a vital album for all serious aficionados of drum and bass, covering a plethora of emotions, vibes and textures, unmistakably rufige in execution.

alex finishes some dark experiements in the lab with this first outing the black series from credo. from time to time you can expect some really dark approaches to the technoside of life. the kick off now with the dark summer nights, pt1 flows constantly and pushed forward through some low chords which finally return to a super low bass-driven drumming pattern. the second part is kind of fragmented, alsways evolving and finally finding the way to an rolling end, somehow even more dark than part one. this is gets huge support already from the likes of len faki, speedy j, chris liebing, gary beck and the other usualy credo-suspects. the bacl series will be strictly limited to 500 copies onlyfor each release!!!

after almost 2 years without publishing new material. the label properproud reappears with this ep limited to 250 copies. the owners of the label santi and roger (strange connection) have worked very hard to remind everyone with this record that the electro-techno and ebm will not die ever! this time, properproud back with more force and with the intention of staying forever. closing mouths includes 4 tracks of 4 major artists and the name isn t coincidental. it s time to shut many mouths that don t rely on this kind of music the first one closing mouths (a1) has been signed by the owners of the label (strange connection) is the first time published in properproud. a track of pure ebm, dark and evil but with great force and which has received great support from artists like angel molina and dave clarke who has played several times in his white noise radio show. the second one hurt me (a2) has been signed by jonathann cast in collaboration with the voices of drey. after publishing in dancefloor killers come to properproud and do it in a forceful and dark track that can move any dance floor. bluntly electro-techno and without mercy! on b side, we find 2 of the best signings he has made during that properproud parentheses. in the first cut (b1) adriano canzian, currently one of the most bizarre techno artists, with halim the dream shows because david carretta and dj hell is set in it. a brutal track, direct and intended to enjoy it in a club. dave clarke has supported it without hesitation. and to finish off the ep, ruben montesco (b2), after his passage through lasergun and other labels turn to properproud to demonstrate in madrid that also makes good techno and ebm. insomniac s red room is a dark track, evil but with a lot of energy and a perfect voice. rubÚn besides being a great friend and supporter of properproud is undoubtedly one of the best producers of this style at national level. 4 tracks that shape a piece of craft for lovers of brazen sounds and is the first of a series of 12 inch that will see the light soon and will be limited to 250 copies. properproud is back .... stop the minimal. use your brain!

joining forces with the minsk-based whiz kid maxim samos, who makes his second appearance on theomatic, an-2 delivers two mid-paced numbers that naturally blend the elements of funk, rock and disco. sometime you may find yourself in a mood when you are not worried about past troubles and there is a calm confidence that from now on everything in the future will be just fine. and this is what the new theomatic release from an-2 is about.

this ep opens with a funky but chill pinched, a mid-tempo track that starts out with a shuffled beat and deep bassline before breaking down and coming back with a haunting synth that is almost reminiscent of heartthrob. the second track on the a-side, sublingual, starts out almost as stripped down before turning into a smooth dancefloor track very much in the vein of the current output of dial records.

second release on the excellent new label affiliated to the acclaimed website and blog cosmic boogie for the second in the cosmic boogie series we welcome on board legendary dj and producer ashley beedle, and once again its time to fasten the seatbelts and continue the journey into the funk stratosphere. the mission begins with a fully spiritual re-working of bill withers classic railroad man, extended, tripped out, and guaranteed to transport you to another sonic dimension. meanwhile on the flip side, the joyful boogie of al greens everything is ok is masterfully edited by beedle into a slice of end-of-the-night euphoria which calls time on another successful journey for this exciting new imprint. re-mastered and cut loud for vinyl lovers cosmic boogie is all about exploring a different meaning of cosmic. long live the boogie

played by karotte, nick curly, philip sherburne.... we are pround to present mr.franklin de costas second ep on einmaleins. he takes us into a spheric drivin journey with his two tracks. the title track >redazz< is a hypnotizing minimal groove monster.on the flipside we have tight drums, a hypnotic melody and sick sounds which dont let you go off the hook. two diverse dancefloor weapons !! get your copies

two talented house fans and dj’s are behind ukrainian act, and new diynamic artists ‘io’. with only their second release, they show an exciting and fruitful new direction… the duo’s talents have been honed not only from their regular dj sets but also from presenting their weekly radio shows on dj fm and kiss fm in their home country. diynamic music are pleased to welcome them to the family

click box have fast become a permanent fixture in the minus firmament, personifying the subtle shifts that are taking place within the scene as the label expands its repertoire and broadens its horizons to incorporate emerging artists from all over the globe. already on to their second minus release of 2009, são paulo djs / producers marco as and pedro turra immediately pick up where they left off with the roving bass and pumping rhythm section of wake up call doing exactly what it says on the tin. as with the first ep, the oscillating synth patterns continue to dominate proceedings, painting neon shapes in the darkness before another delicious robotic sequence shifts the atmosphere by introducing a moroder-esque vibe complete with twisted disco bleeps. its just another example of how click box have honed their sound since their debut i&t release through a finely crafted mixture of proto-house, electro and techno, to create a distinctive hybrid thats fast becoming their own

after hitting his stride in 2008 with his debut for mobilee one is not enough followed by his second release, sand on the floor, the one-man phenomenon is back for a third round for mobilees 55th release entitled first talk, an enthralling tech-house release that is as boundless as it is stunning. the a-side first talk is a bouncing techy track that constantly moves forward and progresses without sounding the least bit rushed, continuously teasing the listener with build-ups that stop just short of peaking. combining vintage synths and reverb-laced loops, and.id meticulously plays with dynamics and atmospherics with the end result being a release that constantly moves forward without sounding the least bit rushed. b1 ephoria maintains a similar level of compelling restraint, with stuttered house beats and melodic undercurrents that morph and shift until they transform into arpeggiated swells leading the track to its endpoint. on b2 lights on and.id displays his darker, more minimal side, taking advantage of lower frequency ranges and recurrent echoes

this is the one you ve all been waiting for, the bad science ep from the mighty rustie. amazingly enough for an artist who has such an huge impact over the last year this is only his second full ep. i could go for on days about how good it is but best not eh. it all kicks off with the fractured hip-hop weirdness of tar and then swiftly moves into the massive bad science. we ve been seeing folk go crazy to bad science and rightly so, its an anthem and has getting properly hammered by kode9 and mark pritchard to name a few. its then on to the out there 8 bit bleepage of shadow enter. the b-side is now dedicated to the now legendary zig-zag and wireblock have really done themselves pround with this one by going straight to one of rustie s hero s the legendary henrich mueller (dopperleffekt, drexciya, arpanet etc) to add his own electro-physics sound to the aquatic mentalness of the original track. it comes to an end with zig zag (reprise), now the original was daft enough but this just to pushes it even further into new realms of madness. buy, buy, buy!

dj rubbish samples any sound he gets and spits out any rant that comes to mind for just one reason - because he can! interludes proudly brought to you by project brothers.

here is a limited repress of the 1st ep in detroit beatdown volume two. called the black ep, it was a fine opener for the second detroit beatdown series. the repress is limited to 300 copies.

part 1 of 2 of the second volume with brill spacin and very soulful deep detroit house tunes !! ltd re-release !!

the second release from the snips of eddie scissors give you two absolute iconic re edits. marvin gaye whats going on and marvin gaye & tammi terrell aint no mountain high enough. once again these are strictly dj only very limited editions.

this one was a smash all last year at the john waynes beach parties and its not hard to see why. beautiful and hypnotic naive melodies intertwine with a gently bumping rhythm with plenty enough groove to get you off the sun lounger and dancing on the beach/by the pool/on the roof (delete as applicable). perfect for the summer that keeps threatening to happen in the uk but that we never quite seem to have, time to go on holiday. theres a killer piano part that comes in later in the second half after the clip finishes

yep, thats right. synth pop sensations heartbreak remixed by the horrors. tom furse from the horrors has a fearsome collection of analogue synths and used them to rebuild this track from heartbreaks debut album from the ground up, and a killer job hes done too. as ali and sebastian from heartbreak both release on dissident their label lex thought it would be a good idea if dissident did the 12 inch release. obviously due to the nature of this release and the addition of the combined horrors / heartbreak fanbase its pretty much an instant collectors item and will fly out of the door at a fair old rate of knots so please make sure you order enough to keep everyone happy, i doubt well have any of these left by the end of the week. the clip is taken from the second half of the track as it turns into a glorious cosmic synthesizer orgy, theres plenty of arpeggiated trackiness before it gets to this bit

second chapter of dfa remixes comes with tracks from tiga, junior senior, chromeo, goldfrapp and unkle on double 12 inch.

chymera returns to nrk music, this time with a two track ep of slick and deep techno house. 2 below is a gorgeous techno track, starts off very delicate and just keeps building and building with some warming chords, swirling melody and driving drums, reaching a chaotically soulful peak, let this track wash all over you! the second cut, saphiron, ploughs a more housier route for chymera, with a very functional production of deep keys, groovy bass and tight percussion!! ltd backstock

strut present the story of one of the most influential and revered labels emerging from new york in the late >70s and 80s<, ze records. after the late 70s punk and new wave explosion in new york, ze became a by-word for the anything-goes culture clashes that typified the big apple during the early 80s. formed by french art student michel esteban and british journalist michael zilkha, ze quickly created its own unique independent universe, signing artists as varied as alan vegas electronic postpunk pioneers suicide, trash disco queen cristina and maverick producer august darnell a.k.a. kid creole. with estebans sharp graphic eye leading the labels visual identity, ze hit the new york zeitgeist head on and became supremely hip û in 1982, the face magazine nominated it ôthe most fashionable label in the world.the labels early success led to a deal with chris blackwells island records, which gave zes releases worldwide exposure and brought worldwide fame to kid creole, was (not was) and more. over thirty years on and ze remains one of the great cult labels of its time. with this new compilation, strut takes a snapshot of the many weird and wonderful fusions that surfaced on its famous nyc cab-influenced yellow and black label. highlights include one of the earliest outings by was (not was), tell me that im dreaming, a disbelieving commentary on reagan-omics, bob blankÆs short-lived disco supergroup aural exciters and a larry levan mix of kid creoles biting parable about corruption in the caribbean, theres something wrong in paradise. other featured artists include ze label regulars cristina, bill laswells material, kookie french experimentalist lizzy mercier descloux, and camp disco-electro icons, les garcons.

mountains is brendon anderegg and koen holtkamp, friends since their middle school days. they began exchanging musical ideas and compositions which led to them founding the apestaartje label in 1999. as their collaborations and individual projects blossomed, they decided to create mountains as a vehicle for live performance. a love of sculpting sound in front of an audience is at the heart of mountains. the groupÆs third album, æchoralÆ (their first self-titled release and second album æsewnÆ were both on apestaartje), is the culmination of their work to date and a balanced mix of the first two efforts. mountains are often compared to artists such as brian eno and fennesz, citing their extended melodies and their unique broad guitar work. mountains seamlessly blend pastoral electronic sounds with both field recordings and a plethora of acoustic instruments.the effect is incredibly sublime and hypnotic as the sounds slowly wrap themselves around each other and alter themselves in the mind of the listener. includes free download voucher.

sold out !!! will never be repressed !! decks exclusive !!! ultraphat prime time groovin techhouse tracks !! already played by karotte (great stuff / cocoon / break new soil)... for kurbits records second release we turn to monobrain, who you may already know of from his earlier release this year, the excellent >indian house< on question mark records. played and loved by brothers vibe, italoboyz and julien chaptal among others. tin tin tin is a tool for the floor featuring the patented amsterdam groove. sometimes a simple cowbell on top of a relentless groove is all you need to put a smile on peoples faces! disco church on the label side: driven by a rolling bongo groove with a punching bass line underneath, toppled with sprinkles of church organ & bells and to top it all off - a choir of monks. a sublime piece of undeep happiness!

time for the next regular mojuba release after some fabulous contributions by chez damier and nick sole. the new 12 inch is from bernard badie, who graced the 10th anniversary release with his all-time house classic time reveals. this time he delivers some serious chicago house action with a re-edit of a rare and out of print track from larry heards alleviated records called move to the beat and the second tune is fresh and directly out of his studio, a jacking track which combines the old school flavour with the new school vibe! lets jack the house!

future classic continues its momentum with the future classic attractions 12-inch sampler from a full-length compilation of the same name previewing the immense quality of talent emerging from australian shores. first up come the soulful broken beats of eddit, known for his solid 12Æs on equatorial and freestyle records. the a2 rumpski is a hip house jam from meem with a chunky bassline dropping in the second half of the track reminiscent of early morgan geist. flip and we are treated to mutual sigh, a sublime late night production by deepchild (following up his recent blackness of the sea classic) in collaboration with gauche. touch sensitive concludes the sampler with body stop, a standout slow burner of new school disco deepness. look out for the future classic attractions mix cd featuring 12 exclusive tracks mixed by nathan mclay, a quality overview of the bourgeoning australian scene.

paul thomas is having quite a year. bresident at gods kitchen, remixing the likes of chicane and working alongside funkagenda as ptfa. this second release from him on baroque is a low slung dirty chugger in the form of onzieme, his slammin collaboration with craig watt toadrip takes up the flip side.

after the successful >srange days ep< leased on deep explorer music a few months ago, dubbyman & above smoke are now delivering the second part ep on the well respected dpress industries label, home of artists like nacho marco, tony blunt and pablo bolivar. dpress is the label where both deep explorer capos always wanted to put some stuff out as they have been supporting the label since the early beginning. on a side, dubbyman produces a soulful moodymannûesque track called >reen sunday<and rick wade (harmonie park, rush hour) works out a dubby and functial house remix. on b side, above smoke comes with >owntown< a warm and deep house track with some jazzy vibes, while ivan murias (thump elektroniks, inout records) is welcome to the label making a great rework of the track using some vocal samplers and showing us some good and deep manners, summer anthem for the deep lovers

superb second release on dirty planet feat muff76 deliver serious electro & techno plus a fantastic remix from kevin gorman of international deejay gigolo record fame

amazing second release on toyfriend music! a side shows us one of the biggest portugal techno producers ever. a.paul (naked lunch, yin yang) with his trademark harder funky techno, supplied with uks most respected producer ian void. on the b side we see the big room techno hit >porlapolla< from david moleon (submissions, moop up) and german duo audiowarp (boost, encoded). a must have release if u like it hard and funky

the revitalized moton records inc continues to impress and inspire us with amazing, undiscovered music. despite being launched in the early nineties, the label have only released just over 20 records. a co-operative effort between djs diesel, harvey, faiths dave jarvis and ashley beedle, this label has expertly amended and extended many an undiscovered, lost classic. as passionate afficionadoÆs and music lovers, their selections for the moton treatment are always dealt with respectfully, and released in super limited quantities, hence the crazy prices they reach in the second hand market !this expertly crafted trio of cuts is the handy work of non other than dave hill, founder of the legendary nu phonic label, well turned out gentleman about town and a fellow disciple of the good groove the quality is off the scale, the pressing is a one-off - you know what to do

second release on shaker plates and what a corker it is, chicagos angel alanis produces a quality deep techy track. angel has been on the seen for well over a decade now and has seen tracks released on such luminary labels as tresor, subliminal, tronic and many more. remix duty goes to the legend that is luke solomon, luke has been on the scene for over 15 years now and has released well over 150 productions and has done over 200 remixes from music ranging from mood to swing, matthew herbert to kasabian, the archie bronson outfit and a little duran duran thrown in along the way. and to finish the package there is an excellent remix from ciselant, with positive dj reactions from some of the worlds top spinners, including jimpster, franck roger, dubfire, laurent garnier, hector romero, robert owens and many more

the mighty cloaks return with their third offering so far on wax and the second deviant emission drawn from their groundbreaking new cd album release >versus grain<. they destroyed an expectant audience with dubplates of these tracks at the recent launch party in the infamous corsica studios venue in elephant & castle london - cloaks + funktion one pa x fresh wax = guaranteed devastation. generously cut at transition with ample bass pressure, this band marks a development we should have seen coming - where ministry fans finally learn some moves and the urban music posse get into some serious shredding.

one year after >happy meal<, his first 12 on ed banger records, the man behind the uffie project is back with a determinative second ep, >p*n*m*b<. five exclusive tracks mixing in a perfect alchemy the futuristic electro of >constant ovulation< with the freshness of >the bright side< and the techno touches of >age 21< and >liisborg error<, finishing with the groovy cut beat of >flashin< outro